maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada, maria,sada,maria,sada,
Maria Sada
Comments on Maria Sada’s work:
Maria Sada’s gaze pervades the mystery of landscapes and her dexterous brush juxtaposes the nearness and remoteness of surfaces, combining the minutest details with gigantic overall effects; in her skills the diminutive perfection of the tree leaf becomes equally important as the ominous atmosphere of the jungle vault. Her work confirms the impression of European travelers who stressed the poetic atmosphere of Mexican landscapes.
Alberto Ruy Sanchez
Through the artist’s work we are encouraged to converse with nature, her familiar universe, regardless of the area of the world she decides to portray. Her gift invariably expresses a personal empathy both with wild spaces and urban landscapes.
Graciela de la Torre
María Sada never leaves to chance the surfaces she daubs with her oils; her linen canvasses are fastidiously prepared and stretched according to techniques developed by ancient Flemish masters, and the cedar wood panels are reinforced by crossed back frames in order to assure the sturdiness of her work.
Graciela de la Torre
To join in Sada’s journey, is to wander below a natural canopy, into a labyrinth of filtered light. There, one is cast into the mystical half-light of an eternal madrugada ... that instant before sunrise where shapes struggle to prevail over color as in the atmosphere of old photographs.
Stephen Vollmer
Sada depicts verdant forests in which growth is and represents Mother Earth. In these remote areas of Terra Incognita, she guides us through the rapture of violent storms, arresting stillness, extremes of heat and humidity; fostering unquiet and erotic dreamscapes within reality.
Stephen Vollmer
Every painting before you is an exposure to Mexico’s diverse environment, her rain forests, erratic coastlines, tropical estuaries and now, urban growth. Sada’s discovery and exploration of this land reveals a landscape through the perspective of a unique artist, without whose vision outsiders would hardly recognize or encounter.
Stephen Vollmer
Conversely to the punctilious thoroughness of photography, where the imagery of nature is expressed in our days, Maria Sada’s paintings are moist and organic rather than hyper realistic.
Graciela de la Torre
Maria Sada explores the exoticism which fascinates those familiar or unfamiliar with the tropics, but she no longer dwells on the exuberance of local flora. Maria’s exoticism stems from her innovative pictorial solution.
Luis Carlos Emerich
